국내외 타이포그래피 잘 된 디자인 웹사이트 사용 예시

• The Typographic Details Behind Typewolf’s Favorite Sites
• 자유로운 선이 귀여운 드로잉 일러스트 작업물 모음 #DRAWINGSPics/Design & IllustNowhere Cafe2023-01-29 19:51
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  일상을 기록하는 도구, 감좋은 디자인 문구 브랜드 & 오프라인 문구샵Pics/Design & IllustNowhere Cafe2023-01-29 19:38
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  민음사 북디자인, 한글 타이포그래피, 시카고 현대미술관 리디자인, 해외에서 바라본 북한 디자인 책Pics/Design & IllustNowhere Cafe2023-01-29 19:16
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  해외 디자인 문구 및 영감 사진 모음 (레트로, 빈티지)Pics/Design & IllustNowhere Cafe2023-01-29 18:46
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  디자인문구 유니크아이템 굿즈샵 일본직구 떡메모지 쇼핑몰 MarketPics/Design & IllustNowhere Cafe2023-01-28 18:17
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  매력적인 오일파스텔, 아크릴 유화 드로잉 & 그래픽 디자이너 출신 일러스트레이터의 드로잉Pics/Design & IllustNowhere
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  캐릭터 디자인 일러스트 프로젝트 드로잉 모음 character design projectPics/Design & IllustNowhere Cafe2023-01-27 20:37
  폰트 모임꼴, 고전 굿즈 브로치 프로젝트 - 스테디셀러를 애정하는 방법Pics/Design & IllustNowhere Cafe2023-01-20 20:29

Futura: The Typeface is a stunning showcase of one of the most popular typefaces

Celebrating its 90th anniversary this year, the life and times of Futura is a fascinating one. Charting its Bauhaus origins to its use as the first font on the moon in 1969, Futura: The Typeface is a new book that tells the story of how the typeface went from representing radicalism in design to dependability.It celebrates and rediscovers this timeless font through archive illustrations and informative essays, revealing fascinating facts like... did you know Futura was Stanley Kubrick's favourite typeface? And that it was used on the film poster for 2001: A Space Odyssey? Or even that Vanity Fair used Futura as an experiment for five issues in 1929, defining their progressive design style, and pin-pointing Futura as "a face representing the New Typography of the European avant-garde"?Expect insight and observations from renowned design writers such as Steven Heller, Erik Spiekermann and Christopher Burke. Edited by Petra Eisele, Professor of Design History and Design Theory at the University of Mainz; Dr Annette Ludwig, Director of the Gutenberg Museum and Isabel Naegele, Professor of Typography at the University of Mainz.Futura: The Typeface is a stunning examination of one of the most popular typefaces ever created. And it's available from 30 October via publisher Laurence King.

 

Chrissie Abbott

This is the style of designer portfolio site that Dropbox seemingly drew inspiration from for their recent redesign (see below), with its colored text set in an extended grotesque on top of a colored background. However, in this case the design feels much more appropriate as the harsh colors perfectly match the style of work in the designer’s portfolio. This type of aesthetic isn’t for everyone, but I’m sure it attracts the type of clients the designer wants, which is the whole point of a portfolio. The grotesque used here, Titling Gothic, has been around since 2005, so it’s a bit older than some of the other wide-bodied grotesques that have been popular with designers lately like GT America, Druk and Sharp Grotesk.

자유로운 선이 귀여운 드로잉 일러스트 작업물 모음 #DRAWINGS

일상을 기록하는 도구, 감좋은 디자인 문구 브랜드 & 오프라인 문구샵

민음사 북디자인, 한글 타이포그래피, 시카고 현대미술관 리디자인, 해외에서 바라본 북한 디자

디자인문구 유니크아이템 굿즈샵 일본직구 떡메모지 쇼핑몰 Market

캐릭터 디자인 일러스트 프로젝트 드로잉 모음 character design project

폰트 모임꼴, 고전 굿즈 브로치 프로젝트 - 스테디셀러를 애정하는 방법

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  그래픽 디자인 라이프 인스타그램 포스트 로그 Aug 2017 #Insta #PostPics/Design & IllustNowhere Cafe2023-01-17 19:18

그래픽 디자인 라이프 인스타그램 포스트 로그 Aug 2017 #Insta #Post

Serra (NSFW)

For a company that specializes in pot and pot accessories, Serra has surprisingly classy branding. The calligraphic sans Lydian is set entirely in uppercase and the geometric sans Neusa pairs very nicely with it as both share similar condensed proportions. However, Neusa is also used for body text where it doesn’t work quite as well—the body text inherits the letterspacing from the uppercase styles and feels a little awkward to read due to the wide spacing.

Brand New

I first saw the Brand New redesign mentioned on Designer News, where the almost universal reaction was negative. I was kind of surprised because I really dig the new look—I think they did something bold and unconventional with the type, and a site that is entirely about branding should have a strong brand.

I love the use of H&Co’s Operator—it’s a humanist design that was inspired by typewriter fonts but is actually proportional rather than fixed width. It’s such an unusual font that it will really contrast with anything, but here they are pairing it with Mercury, a classic serif from the H&Co catalog. I would have loved to see the italic styles of Operator used, as they take on a quirky cursive form which is rare for typewriter-inspired fonts. But the type here is probably distinctive enough as is. I applaud Armin and Bryony for doing something different and not just slapping a geometric sans on the site and calling it a day.

THE NEW GARÇONNE

Morion | The Designers Foundry